FAQ – Marcello-Flutes
Are these headjoints copies of historical French models?
No. They are contemporary creations, inspired by the French flute-making tradition of the 19th century.
They draw on historical acoustic principles—such as oval embouchures, the absence of a lip plate, and airflow control—while being fully adapted to modern flutes and today’s musicians.
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What is the difference between an industrial and a handcrafted headjoint?
Industrial headjoints are produced using fixed parameters and standardized processes.
At Marcello-Flutes, the tube and the embouchure chamber are entirely hand-sculpted, then gradually adjusted by ear and through playing tests.
Each piece is unique and acoustically finalized by the maker.
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Why choose a wooden headjoint?
Wood offers a warmer, denser, and more nuanced sound compared to metal.
Many flutists choose a wooden headjoint as a second tonal option, allowing them to adapt their sound to different repertoires and musical settings.
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Who are these headjoints designed for?
They are suitable for:
amateur flutists,
advanced players,
professionals and collectors.
The goal is to offer another voice for the flute, without changing instruments.
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Are they compatible with my flute?
Yes. Marcello-Flutes headjoints are designed to be compatible with standard modern flutes.
Each order can be adjusted according to the make and model of the instrument.
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Can I try the headjoint before committing?
Yes. You may try your headjoint at home.
If it does not suit you, a return period (subject to conditions) is available.
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Why is each headjoint different?
Because wood is a living material.
Its density and acoustic response vary, requiring individual adjustment for each piece.
No two headjoints are identical.
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Where are the headjoints made?
All Marcello-Flutes headjoints are handcrafted in my workshop in Switzerland, using carefully selected tonewoods.
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What is the Marcello-Flutes philosophy?
To offer handcrafted wooden headjoints as a second tonal option,
bringing greater freedom, pleasure, and personal expression to the flutist’s playing.